How great would it be to wake up one morning and find out that Scientists have finally discovered proof of intelligent alien life out beyond our planet? I’ve often wonder if I’d live to see the day when the answer to the question “are we alone in the galaxy” is finally answered. Well, recently at a House Committee on Science, Space and Technology hearing Wednesday (May 21), Seth Shostak of the SETI Institute gave us a timeline for when this question might be answered when he said, “”It’s unproven whether there is any life beyond Earth. I think that situation is going to change within everyone’s lifetime in this room.”
Monthly Archives: May 2014
SPECTACULAR METEOR SHOWER……. MAYBE.
North America is predicted to have the best view of a possible new meteor shower from Comet 209P/LINEAR Friday night through Saturday morning (May 23-24, 2014). (Deborah Boyd-EarthSky)
We have had some astronomical disappointments of late but we might just see a really nice meteor shower this Friday night into Saturday morning.
Meteors from the May 24th’s early-morning display can appear anywhere in the sky, but they will appear to originate from a point (called the radiant) in the constellation Camelopardalis, the Giraffe. Stars are plotted for 2 a.m. local daylight time as seen from mid-northern latitudes. Sky & Telescope illustration.
I plan on being up with my Nikon and mosquito spray to hopefully get some nice shots of the unexpected astronomical display. What a nice late spring surprise and who knows, maybe an nice annual event. I will share photos here on Saturday… if all goes well.
Creating a Planetarium Soundscape: Part 2 – From Studio to Theater
In the first part of “Creating a Planetarium Soundscape” I covered what it was like going from script to the voice-over recording process. But now we’re going to go into what it’s like to actually craft the music, sound effects, and 5.1 surround sound mix of a planetarium soundtrack.
Creating A Planetarium Soundscape: Part 1 – From Script to Recording Booth
What does it sound like to sling-shot around Jupiter or to crash land on Venus? What does it sound like when molecules rapidly vibrate around each other or when you’re able to fly through a nebula? Writing music for a visual medium can be challenging enough as it is, but when you’re attempting to rhapsodize upon experiences that people have a hard time wrapping their head around it can create a whole new realm of difficulty. I mean, how do you summarize the feeling of approaching a star that’s ten times more massive than our Sun? But aside from the creative aspect, the task of writing music for planetarium productions is completely different than writing music for any other visual medium.